Issac Tong

Redress Design Award 2026 Finalist

Meet The Designer

“I stand for honouring existing materials as precious resources, not waste. I reject perfect uniformity and embrace authentic imperfections—like raw edges, trimmed leather edges—as an aesthetic choice. ”
Issac Tong
“I stand for honouring existing materials as precious resources, not waste. I reject perfect uniformity and embrace authentic imperfections—like raw edges, trimmed leather edges—as an aesthetic choice. ”
Issac Tong

Bio

Issac Tong is a Finalist of the Redress Design Award 2026. He holds a BA (Hons) in Fashion Design from Nottingham Trent University and a Higher Diploma in Fashion Design from the Hong Kong Design Institute.

Region

Collection

Focus

Redress Design Award Collection

Issac’s Redress Design Award collection, ‘Diva, the Chameleon’, draws inspiration from the late Hong Kong pop star Anita Mui Yim-fong, who was known as ‘the ever-changing diva’. The collection transforms bags to garments and vice versa, and incorporates Chinese qipao design elements. Issac sourced materials such as discarded textiles and bags from a recycling facility, plus factory surplus materials and an unwanted curtain from his late grandmother’s flat. His designs embrace imperfections in the materials, such as dirt or uneven edges, to avoid generating waste by cutting away ‘flaws’.
Diva, the Chameleon

Redress Design Award Collection 2026

Issac’s Redress Design Award collection, ‘Diva, the Chameleon’, draws inspiration from the late Hong Kong pop star Anita Mui Yim-fong, who was known as ‘the ever-changing diva’. The collection transforms bags to garments and vice versa, and incorporates Chinese qipao design elements. Issac sourced materials such as discarded textiles and bags from a recycling facility, plus factory surplus materials and an unwanted curtain from his late grandmother’s flat. His designs embrace imperfections in the materials, such as dirt or uneven edges, to avoid generating waste by cutting away ‘flaws’.

Q&A with the designer

My inspiration to pursue sustainable fashion—and the creative core of this collection—is from the urban designs of the people. Although the city is famous for skyscrapers with modern designs, there are some really interesting urban designs in some older neighbourhoods. You can find people giving half-broken chairs and other furniture a second life, for example: broken chairs propped up with scrap wood to create a new street-side seat. I always find this type of unintentional design interesting and aesthetically pleasing.

This collection mainly uses unwanted goods from recycling factories and Redress. While designing this collection, my goal is to reduce as much waste as possible, which is why it takes so much time to find materials from recycling factories that are usable with colours that match well.

My goal is definitely building my own designer label in the future. I think developing sustainable products does require more time and cost, and I hope to make greater innovative designs in the future with more resources.

My EarPods. I can’t live without music.

March 20, 2026

Online Session: Circular Fashion Design Strategies with Redress Design Award 2025 winners

Join a LIVE online session for emerging designers to deepen your knowledge for creating circular fashion, and give you an edge in your application for the Redress Design Award.

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March 17, 2026

2026年度「Redress 設計大賽」現已開放申請!

設計師們 :你們的考驗是以回收再重用的紡織品,沿用循環時尚的設計策略 ,為時尚前衛的成年人設計一套現代系列。

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March 17, 2026

The Redress Design Award 2026 is open for applications!

Calling all emerging fashion designers: We challenge you to design a contemporary collection for a modern, fashion-forward adult, using waste textiles and guided by circular design strategies.

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